Tag Archives: Tarragon Extra Space

World premiere of Nightwood production of Jordi Mand’s Between the Sheets – riveting & heart-wrenching

I had the pleasure of attending another world premiere of a work by an emerging female playwright last night: Nightwood Theatre’s production of Jordi Mand’s Between the Sheets, a two-hander directed by Kelly Thornton, and starring Susan Coyne and Christine Horne, onstage at the Tarragon Theatre Extra Space. Don’t let the short running time (approx. 1 hour) fool you – there is a lot going on in this hour in the classroom during parent/teacher interview night. And the stakes are huge.

Kelly Wolf’s set took me back to the first day of school, and I found myself walking past a perfectly rendered third grade classroom as I found a seat. Along the top of the green chalkboard are four printed cardboard trees, each set in different seasons, starting with Fall. Above the chalkboard, students’ paintings are taped up all along the wall. There is a large clock with big numbers and hands. A cubby with books and craft supplies. Small desks, with colourful duotangs set on top and blue chairs in front of them, dot the light blue floor in groups of three, miniature islands – smaller worlds within this small world. And in the background, the sound of rhythmic clapping, perhaps skipping too. Schoolyard games.

As the lights go down and come back up on this microcosm of life, we see Teresa, the young grade three teacher tidying up and preparing to leave following an evening of meetings with parents when Marion, the mom of a student named Alex, appears unexpectedly at her classroom door. A discussion of Alex’s social and academic progress turns to accusations of infidelity, as Marion accuses Teresa of having an affair with her husband Curtis. The intense battle of words that follows has both women fighting for their lives – riveting and heart-wrenching, with unexpected flashes of humour, and even compassion and understanding. In the end, as both are left to pick up the pieces of the evening’s revelations, Teresa is alone once more, the ticking of the clock becoming louder as it echos throughout the empty classroom.

Outstanding performances from both Coyne and Horne, with Horne’s Teresa showing surprising guts and strength beneath the sweet and fragile exterior, and Coyne bringing lovely layers to Marion – from imperious corporate lioness to exhausted, frustrated and confused wife and mother. Nice work, ladies! And I was very happy to bump into both of them as I was leaving so I could tell them so.

Also want to give a shout out to Nightwood’s 10,000 Women campaign in support of women’s voices in the arts, a fundraiser that the company is launching with this production. The aim is to get 10,000 donations of $10, with each donor offering the name of a woman in their life that they want to honour – the names will appear in print at the end of the campaign. For more info – and to donate – check out this page:  http://www.nightwoodtheatre.net/index.php/support/10000_women

Between the Sheets runs at the Tarragon Theatre Extra Space until October 7, with a post-show talkback – parenting and relationship expert Sara Dimerman with moderator Diane Flacks – coming up tomorrow night (Thurs, Sept 27): http://www.nightwoodtheatre.net/index.php/whats_on/between_the_sheets#tab4

For more info and reservations, please visit the Nightwood Theatre website: http://www.nightwoodtheatre.net/index.php/whats_on/between_the_sheets#tab1

1 Comment

Filed under Theatre

Absurd family tragedy in The Goat

WARNING: This post contains adult language and content.

Edward Albee’s The Goat, or Who is Sylvia? (subtitled: Notes Towards A Definition of Tragedy) is one absurd, darkly funny, mind-fuck of a play. And if you hadn’t been aware of the play’s subject before arriving at the theatre, you sure as hell get the idea when you receive the program. The cover is a veritable Kama Sutra of man/goat lovin’ illustrations. I went to see Atic Productions’ run of The Goat, directed by Carter West, at the Tarragon Theatre Extra Space last night.

On entering the theatre space, you see a set composed of white pedestals, each with an empty plate frame – plates are set at the top of the show when the cast sets the stage, the family home – and a pair of white column/lintel entrances, the lintels askew atop uneven columns. Bringing to mind ancient Greek architecture. The pre-show music is a mix of love songs throughout the decades. Love and tragedy are coming.

Martin (Tim Walker) and Stevie (Rosemary Doyle) are a well-off, well-matched and happily married 40-something couple. Their sweet and handsome 17-year-old son Billy (Ben Hayward) has recently come out as gay, and they’re being pretty cool about it. Their domestic bliss is shattered when Martin reveals to his best friend Ross (Benjamin Blais) that he’s been having an affair – with a goat named Sylvia – a confidence that Ross proceeds to share with Stevie in a letter. You can imagine the family discussion that arises from this revelation.

What is interesting about this play is that Martin and Stevie, in addition to being very intelligent, open-minded people, have the sort of relationship in which they can actually have a discussion about Martin’s unusual infidelity – as painful and enraging as it is for Stevie. As the audience, we are presented with the notion and left to our own judgements – about bestiality and adultery, and even unintentional, spontaneous moments of incest and pederasty. Ross is the sole voice of conservative convention in the play, passing harsh judgement on anything beyond a well-hidden affair with another human, preferably of the opposite sex. And yet his hypocrisy shows as he coaxes the details of Martin’s affair with Sylvia – and despite his protestations and crying moral foul, he takes the taboo scenario in with a sense of scandalized glee.

The play is about 100 minutes long with no intermission and the actors – especially the family members – are taken on a physical and emotional roller coaster ride. Martin and Stevie are fun, affectionate and easy in their relationship – and love each other so big – and the hurt of Martin’s affair crashes so hard that every plate in the room lays broken in the end even as Stevie herself crumbles to the floor in agony. Even young Billy, who tries to intervene and is especially protective of his mother, is reduced to a balling mess after Ross returns to poke the wasp’s nest he’s already kicked at.

Walker is lovely as Martin, a good-humoured, gentle and loving man struggling with the onset of middle age and tormented by his desire for Sylvia. He has great chemistry with Doyle, who brings a funny, smart and sexy Stevie – loyal in love but fierce in betrayal. You really believe that Martin and Stevie have a big love for each other. You also believe that Martin really loves Sylvia too – an extremely painful truth for both Martin and Stevie. Hayward is adorably smart-ass as the teenager Billy, an intelligent and good-natured kid who is aware of just how cool his folks are – and he loves them both a lot. He brings a nice sense of Billy’s conflicted feelings  – torn between the child’s response of running away and the man’s response of stepping in to protect his mother. Blais gives us a nice combination of humour and cynicism as Ross, a character who’s really the outsider in this grouping, espousing a socially moralistic attitude towards fidelity and honour – but it’s all okay if you don’t get caught. Except one must stay within one’s own species with an age-appropriate partner and opposite sex is best. Really strong performances all around – you’re constantly wondering what will happen next. What will he/she do now?

As I mentioned in an earlier post, The Goat has a very short run at the Tarragon Extra Space – it closes tomorrow afternoon (Sunday, June 24). There are still a few chances left to see it, though, with matinées today and tomorrow at 2:30 p.m., and an evening show tonight at 8:00 p.m.

For more info, visit Atic Productions at: http://aticproductions.com/

1 Comment

Filed under Theatre

Theatre & music – upcoming adventures

Busy week for this bloggergal, chickens. Here’s a peek at what I’ll be up to:

Atic Productions has a short run of Edward Albee’s The Goat, or Who is Sylvia? opening at the Tarragon Extra Space tonight and running until June 24. This production was directed by Carter West, and features actors Benjamin Blais, Ben Hayward, Rosemary Doyle and Tim Walker. I’ll be wandering over on Friday. For info: http://aticproductions.com/

I’ll finally be going to see Soulpepper’s production of You Can’t Take It With You tomorrow night – better late than never. Here’s the scoop on that show: http://www.soulpepper.ca/performances/12_season/you_can%27t_take_it_with_you.aspx

Saturday will be a music night out with my gals Kat Leonard and Lizzie Violet – this time, at the Horseshoe Tavern to see Tin Star Orphans. Check them out here: http://www.tinstarorphans.com/

This means I’ll be rolling out the bloggage on these the next day. Whew!

So – what are you up to this week?

Leave a Comment

Filed under Music, Theatre