On Hiatus!

Reblogged from Lipstik Indie Reviews:

Hey all you beautiful people!  I just wanted to let everyone know that Lipstik Indie is going on hiatus. I'm not sure how long or what format we will be, if we return.  I'm focusing on writing, performing and producing shows and felt it was time to let Lipstik Indie go on a vacation.

A great big hug to all the artists who have been part of the site, a bigger hug to the writers.

Cheers for now!

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'Cuz sometimes, we all need a break. Speaking of - cowbell blog activity will be relatively quiet for the next little while as I take care of some personal business.

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‘you’re not #disabled enough’

Reblogged from duncantarmstrong:

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Lizzie Violet hosted anther sensation Cabaret Noir at Q Space. A perfect high-octane Mother(F**ker)s Day with stomping sets by Cathy, Vanessa & Kirsten. I made sure I got into the first set of open stagers before the features pulverized the audience. I’ve heard them all before but am always happy to hear them again & again.

With open stagers from Chicago, audience from Australia, Noir has in three short months made its presence felt.

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Thanks to Duncan Armstrong for his take on last night's special Mother's Day edition of Lizzie Violet's Cabaret Noir, which I missed as I was out of town. Sounds like it was an amazing line-up of music and poetry/spoken word talent.

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You Go To My Damned Head

Reblogged from duncantarmstrong:

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Hosted by the glittering Philip Cairns, the Damned’s May show was a veritable celebration of Toronto’s queer theatre history with open stage appearances by David Bateman & David Roche & features by Peter Lynch & Sky Gilbert.

First feature Peter Lynch did two performance pieces: ‘The School For Hopeful Wankers’ - about an acting coach introducing her method of ‘acting is about immediate honesty’ where one would have to align ‘with their formerly disembodied pelvis.’ Comic, scary and insightful by turns it was a smart portrait of acting teacher as drill sergeant.

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Missed TB&TD last night due to the Big Ideas reading I was performing in. Here's Duncan Armstrong's take on the evening of poetry, spoken word and music...

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An eclectic, trippy journey through sound on Robert Graham’s “Storm in a Teacup” CD

Storm in a Teacup coverWhen I dropped by Red Sandcastle Theatre for the In Loo Of fundraiser a few weeks ago, owner/manager/AD Rosemary Doyle introduced me to Robert Graham, who was there to accompany singers on piano for the four-day open mic event. While chatting with Graham, I learned that he’s also a singer/songwriter – and I headed home that evening with a copy of his Storm in a Teacup CD.

Co-produced by Graham and Chris Brown, Storm in a Teacup is a trippy, eclectic collection of pop, rock and blues – with hints of jazz and soul – accompanied by some stand-out musicians and vocalists, including Graham, Brown, Anton Fier, Andy Love, Teddy Kumpel, Rob Jost, Tony Scherr, Alec Barken, Dan Charbonneau, Eli Abrams, John Abrams, Ford Pier, Eric Schenkman, Kerryn Graham and Leann Cunningham.

Storm in a Teacup starts out with the gentle, unassuming instrumental track “Blue Lullaby (Intro.),” slips into pop ballad “Reaching You” and finishes with a soul vibe on “Set it Free (Afro-Astro Mix),” a remix of earlier mellow pop track “Set it Free.” From the epic rock-operatic “Living in a Coma” to the comic tale of unrequited love in “In Love with a Girl” to the haunting jazz/blues-infused piano instrumental “Second Prelude,” there’s a big range of emotional and musical expression on this record. And “Jonathan Baker” combines the whimsical poignancy of Beatles storytelling with the dark social commentary of The Police’s “Synchronicity II” – a quiet life of desperation about to explode in the face of a cruel world. The lyric “It’s easy to be nasty. Sometimes it’s worthwhile to be nice” is particularly potent. Storm in a Teacup is a trippy journey through genres and musical moments, each song a brand new vibe. Check it out.

You can catch Robert Graham, playing with his new band The Fairest and the Best at The Central on Monday, May 13 at 7 p.m. And on Friday, May 24, he’ll be hosting Robert Graham and Friends – A Fundraising Concert for the “We Are Jose” Campaign – 7:30 p.m. at Lower Ossington Theatre. For details on these two shows, please visit the Gigs page on Graham’s website.

Robert Tanglefoot photo

Robert Graham

In the meantime, you can also pay him a visit on his YouTube channel and check out his new single “Believe In Love.

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Out Of This World, this Saturday Night!

Reblogged from Patrick Jenkins Animation:

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Aliens At Cinecycle!

This coming Saturday night, May 11 at 7 p.m., I have a 10 second animated piece in the U.F.O. Anijam at the TAIS Showcase 2013 at Cinecycle Theatre at 129 Spadina Avenue, Rear, down the 'film noirish' alley way. Come out and support Independent Animation. It's a 90 minute screening of animated shorts. Don't blink when you see my piece.

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This looks like a blast!

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Big love & a joyful noise @ Tania Joy “I’ll Be Around” CD launch

The Melody Bar at the Gladstone Hotel was packed last night, all in celebration of the release of Tania Joy’s EP I’ll Be Around. And what a celebration it was!

MC Shannon Paterson, a long-time friend of of Tania Joy’s – from their days as six-year-old figure skating pals to modern-day wing men in the dating scene – ushered the evening’s festivities, including opening acts Arlene Paculan and Candice Sand.

Arlene Paculan got things going with some R&B and pop goodness – a set of originals and covers, on keys with Mickey Rodriguez on drums.  From the slow groove of “My Plea” to her love song to Tony Stark and awesome Green Day mash-up to “Running” – a soulful ballad with a sometimes haunting piano arrangement (and a personal fave) – it’s always a pleasure to wrap my ears around Paculan’s sounds. Coming up for Paculan: the Beaches Jazz Festival, the release of her debut full-length CD Everything Begins with Love (June 21 @ Gallery 345, Toronto) and WonderFest West (August 14 @ Celebration Square, Mississauga). Drop by her website for details and keep an eye out for her upcoming gigs.

Candice Sand showed us she’s got this, bringing it with a bluesy acoustic set, with Neil Whitford backing her up on guitar. Shifting from cheeky fun on a cover of Ingrid Michaelson’s “The Way I Am,” then a couple of songs later into the slow, sexy “Maybe I’m Crazy” and the soulful, strong groovin’ yet vulnerable “I Got This” (her recent release) to audience participation like on her slow groove cover of “I Wanna Hold Your Hand,” it was a pleasure to see Sand perform live (I’d missed her set at a WonderFest event a while back). Definitely an artist to watch out for.

The main event, Tania Joy, took to the stage with a full band backing her: “The Groove Doctor” (Dave McMorrow) on keys, Rick Joudrey on bass, Jeff Haynes on guitar, Richard Greenspoon on drums (he also engineered the record), and the lovely and talented Arlene Paculan and Candice Sand on back-up vocals.

Opening with “I Push You Pull,” an R&B-infused ballad, with the organ/keys and back-up vocal arrangements bringing some gospel Tania Joy delivered a set of originals from her I’ll Be Around EP, peppered with some covers of songs by the likes of John Fogerty and The Allman Brothers. Singing of connections and relationship, with a mix of folk, blues and gospel on “Gypsy Heart (Back To Me)” and taking us to the church of the joyful noise on “Shine Your Light,” this is a deep, rich and resonant voice singing catchy and soulful lyrics. The moving R&B/gospel sound returned on “I’ll Be Around” and “I Won’t Quit,” the title track inspired by and dedicated to the memory of her cousin Dana Rene Gibson. Bee Gees cover “To Love Somebody” had folks singing along (I was one of them, on harmony) and the reggae rhythm of original “New Ending” got folks up dancing in front of the stage. And the whole room was feeling Tania Joy’s cover of “People Get Ready.”

Tania Joy’s warmth and enthusiasm is contagious – and was matched by that coming from the audience. Friends, family, fellow singers and musicians brought a whole lotta love and support – the room was vibrating with excitement and positive energy. Keep your eyes and ears peeled for this talented lady. In the meantime, drop on by Tania Joy’s Soundcloud and YouTube pages.

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Arlene Paculan, with Mickey Rodriguez on drums.

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Arlene Paculan opens for Tania Joy at the “I’ll Be Around” EP launch.

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Candice Sand, with Neil Whitford on guitar.

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Candice Sand at Tania Joy’s “I’ll Be Around” EP release.

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Tania Joy (right), with Candice Sand (left) and Arlene Paculan (centre) on back-up vocals.

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Tania Joy on guitar at her “I’ll Be Around” EP launch.

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Tania Joy brings it powerful and soulful at her EP launch.

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Tania Joy and event MC Shannon Paterson.

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The energized, enthusiastic crowd kept Tania Joy busy with autograph requests after the show.

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Alumnae Theatre’s Big Ideas 2013 coming May 8 – 12

Alumnae Theatre Company’s annual Big Ideas festival of works in progress – organized and programmed by the company’s New Play Development (NPD) group – is coming up, running May 8 – 12 up in the studio. Big Ideas features readings of full-length plays, as well as scenes from plays, and this year’s line-up includes:

I AM MARGUERITE by Shirley Barrie, directed by Molly Thom

FORGIVENESS by Mairy Beam, directed by Victoria Shepherd

YOU HAVE TO EARN IT by Ramona Baillie, directed by Jane Carnwath

IN A TIME OF WAR by Anne MacMillan, directed by Marianne Fedunkiw

BROCKFEST by Joan Burrows, directed by Maria Popoff

WAITING FOR KATRINA by Donna Langevin, directed by Pat McCarthy

THE YEAR MY FATHER BECAME A SAINT by Linda McCready, directed by Brenda Darling

Admission is free. For more info, including synopses, times and dates (each play gets one reading), please visit the Alumnae Theatre NPD page.

p.s. – I’ll be performing in the reading of Forgiveness on Thursday, May 9 at 8 p.m. Rehearsals start tonight, and I’m looking forward to working with director Victoria Shepherd again (we worked on Celebrity together in New Ideas 2004 – written by Tina McCulloch, who is also in the cast of Forgiveness), as well as a great cast, all of whom I know (and previously worked with all but one) – and all the women in this cast were also in Alumnae’s production of Lady Windermere’s Fan in 2007.

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